Hellelil and Hildebrand, the Meeting on the Turret Stairs (1864), a painting in the National Arcade of Ireland by Irish artisan Frederic William Burton (1816-1900). Based on a medieval Danish carol about the adverse adulation amid Hellelil and her bodyguard, Hildebrand, it appearance the lovers administration a cursory moment of intimacy.
Things don’t go able-bodied for them. When her ancestor discovers their adapter he orders that her seven brothers should annihilate Hildebrand. But the babysitter turns out to be a appalling antagonist and, afterwards he has accomplished six of the brothers and Hellelil’s father, she intervenes to save the activity of her actual sibling. Hildebrand succumbs to his wounds and she decides she cannot alive after him. Burton’s acquaintance Whitley Stokes had translated the carol into English.
Just shy of one accent tall, it is a abundant painting. What makes it abnormal is that it is corrective in watercolour, a average associated with a abundant abate calibration (plus some gouache, a water-based acrylic that is added blurred than watercolour). Burton could not abide the aroma of oil acrylic or, added acceptable perhaps, the solvents associated with it, and abhorred it. The agreement was affected to the atomic detail – and there’s a lot of detail – in basic sketches and congenital up agilely with fine-haired brushes, consistent in an about hyper-real image.
Because it is a watercolour, the painting poses problems for conservators: it could achromatize acutely with acknowledgment to absolute light. Usually it is kept in a appropriate chiffonier abaft bankrupt doors which are opened for aloof one hour, four canicule a week, possibly abacus to its allure. But the painting plays a starring role in a acting exhibition, Frederic William Burton: For the Adulation of Art at the National Arcade of Ireland, October 25th -January 14th (€15, acceptance €5, additional added concessions, booking nationalgallery.ie). For the continuance of the exhibition, whenever you visit, you’ll see the Meeting on the Turret Stairs.
Quite able-bodied known. Surprisingly, in 2012 it topped the poll as Ireland’s favourite painting, advanced of works by added high-profile artists. Curators at the NGI weren’t that surprised. They apperceive how accepted the assignment is with visitors, including amid accessory academy groups. The postcard is a abiding album in the arcade shop.
It’s exceptional, but archetypal in abounding ways. Burton associated with the Pre-Raphaelites and, like them, admired the old masters and adopted paintings that acquaint a story, generally with a moral. His mentor, the abundant antique and artisan George Petrie brought him to Connemara to draw at actual sites. Burton’s The Aran Fisherman’s Drowned Child is addition favourite in the gallery. When he was appointed administrator of the National Gallery, London in 1874 he gave up painting but contributed abundantly to the development of the gallery, administering cogent acquisitions of assignment by Leonardo da Vinci, Botticelli, Holbein and abounding others.
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