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It’s an contrarily accustomed night at The Gasometer, a advancing music breadth in one of Melbourne’s admirable old burghal pubs. The punters comminute about, nursing pots of beer, cat-and-mouse for the bands to begin. Aback they do, a abstruse Australian jailbait accouterments takes to the babyish stage. They alarm themselves Fleshlight. No one has heard of them. Indeed, the admirers has no abstraction this is not absolutely a accurate bandage but a agglomeration of guys acclaimed for added things.

Look carefully and you ability recognise the vaguely accustomed faces. The pale-skinned adolescent man with continued aphotic bristles and a arresting affinity to Nick Cave? That’s his son, Earl. The albino guy with the artful face: was he in Puberty Blues and Glitch?  That’s Australian abecedarian Sean Keenan. And the able-bodied one in the white négligée who reminds you of Heath Ledger? That’s ascent brilliant George MacKay, a British abecedarian whose credits accommodate Captain Fantastic, alongside Viggo Mortensen.

The band’s guitar thrashing and jailbait arrogant is infectious; the army swells to about 350. A dark-bearded buck of a man block into the aback of the room. It’s Justin Kurzel, who directed the acclaimed 2011 affection Snowtown. He knows these four adolescent men (the fourth is first-time abecedarian Louis Hewison) because appropriate now, he’s their boss. And this accomplished exercise – authoritative his actors appear up with a song annual and comedy a gig in beneath than three weeks – is his abstraction of a bonding exercise. Tonight, Kurzel is in the gang-creating business for his “passion project”, Accurate History of the Kelly Gang, based on Peter Carey’s best atypical of the aforementioned name, which will be in cinemas from January 9 and on Stan from Australia Day. Up there on date is Kurzel’s Kelly Gang: MacKay as the iconic outlaw Ned, Cave as his brother Dan, Keenan as Ned’s best mate, Joe Byrne, and Hewison as assemblage affiliate Steve Hart.

Kurzel is so afflicted by the songs that night that he will use two in the film. Afore all that, he has to see if his little agreement works. Aback the assemblage comes off stage, Kurzel watches them carefully: they angular on anniversary other, ablaze anniversary other’s cigarettes, buy anniversary added drinks. It works. On set, the four become so tight-knit that anybody else, decidedly the actors arena the hated policemen, become outsiders. (Kurzel says Russell Crowe, who plays the arch old bushranger Harry Power, shouted the adolescent actors a bonding cruise to a cutting range, but acclaimed they’d already formed a able backpack mentality.)

This Gasometer gig is aloof one notable affiliate in the authoritative of this Ned Kelly film. The blur had to be reimagined on bisected its aboriginal annual afterwards its aboriginal costs accord fell through (Kurzel could not allow the cops at the Glenrowan siege, or the alternation the Kelly Assemblage attempted to derail). Kurzel’s wife, Essie Davis – who is admirable as Ned’s mother, Ellen – bankrupt a rib during filming. Then, one awesome night in Victoria’s Winton Wetlands, Kurzel anticipation the set had been visited by ghosts. And alike afore the blur was finished, it was actuality airtight for actual inaccuracy.

“Films about Ned and his allegory aloof accumulate accepting sillier,” wrote Doug Morrissey, who did his PhD on the assemblage and is the columnist of several Kelly books, in an appraisal allotment for The Sydney Morning Herald. There’s affluence in this blur to abuse Kelly devotees. For starters, Kurzel’s Kelly has no beard. Alike added controversially, Kurzel generally puts the assemblage in dresses. But, as I ascertain on my own adventure into the Kelly allegory – on which I absolutely change my apperception about Australia’s best acclaimed bushranger – the accommodation to put the assemblage in frocks isn’t as crazy as it aboriginal seems.

About an hour’s drive arctic of Melbourne, at a abode alleged Monegeetta, there’s an Italianate abode in a accompaniment of affected decay. Mintaro, completed in 1881, the year afterwards Ned Kelly was hanged at Old Melbourne Gaol, is a admirable home that has the casual edger growing from its adorned cornices. The above buyer dumped cars in its once-manicured grounds. But on this August day, the cars are gone and a army of blur aggregation in atramentous puffer jackets has taken over. Galahs watch the active to-and-fro from Mintaro’s scraggly old pines.

In the accouterment covering abreast the access gate, the film’s star, George MacKay, is accessible for his borsch (it’s 2pm, but anybody was cutting until midnight aftermost night). He asks a aggregation affiliate affably for his breakfast. MacKay – whose aboriginal role, age-old nine, was in P.J. Hogan’s 2003 adaptation of Peter Pan – tells me the accomplished Accurate History acquaintance has been “kind of massive”. It’s not aloof the pop-up bandage experiment. He’s learnt how to chop wood, body a fence and ride a horse, too. And the actor, who grew up in London, has done a abysmal dive into the civic ability of his Australian father, Paul MacKay. “I feel so honoured to do this, but not necessarily because of the guys who accept done it before,” he says, aback I ask him if he feels the weight of a role played ahead by the brand of Mick Jagger and Heath Ledger. “I’m aloof aggravating to amusement it as its own thing. Not a assize of Neds.”

Today they’re filming a arena central Mintaro – which is, amid added things, a brothel in the blur – as able-bodied as application some of its rustic board outbuildings. As the aggregation abrade the buffet, a ambassador presents the day’s agenda and declares that filming will accommodate a Shetland pony central the mansion, a babyish and gunfire. (What could possibly go wrong?)

I arch bottomward Mintaro’s driveway, casual two men abysmal in conversation. I afterwards realise they are Kurzel, hunkered adjoin the algid in his beanie, and Hal Vogel, one of his producers. In 2011, Vogel, a British producer, was visiting Peter Carey’s abettor in London. Irish blur administrator Neil Jordan had alone afresh alone the rights to Accurate History and now they were available. “Everybody said, ‘That’s aloof a abhorrent idea. Nobody is activity to accord you money to accomplish addition Ned Kelly film,’ ” Vogel tells me a little while later, alfresco Mintaro.

The bodies who said that to Vogel do accept a point: how abounding Ned Kelly films does the apple need? There are about a dozen now, including the world’s aboriginal affection blur in 1906, The Adventure of the Kelly Gang; a 1970 accomplishment with Mick Jagger as Ned that its director, Tony Richardson, declared as “stillborn”; and a crowd-funded abbreviate film, Stringybark, appear beforehand this year. And aback Vogel was because the rights to Accurate History, alone eight years had delayed aback Gregor Jordan’s Ned Kelly, starring Ledger, which had been appear to apathetic reviews.

But Vogel had apparent Kurzel’s Snowtown – “an abundantly agitative allotment of cinema” – and anticipation the abutting cogent of Ned Kelly would assignment in the director’s hands. “It would be a bolder, darker adaptation of the story,” he says. And with this amalgamation – Carey’s book, additional Kurzel as administrator – Vogel bound in the film’s aboriginal accounts accord from an American broker (along with Awning Australia and Blur Victoria). Afterwards that fell through, French benefactor Memento Films abutting the two Australian allotment bodies with a bargain budget.

Kurzel agreed to absolute the film, but had confused with his ancestors – Davis and two daughters – to London, breadth he was administering a blur adaptation of Macbeth starring Michael Fassbender, which was appear in 2015. His abutting blur brought him, as Shakespeare’s witches would say, a lot of double, bifold application and trouble. Assassin’s Creed, based on the accustomed video game, was a hell-broth of aggressive agendas, artistic differences and, in the end, about universally bad reviews (“Ridiculous and turgid,” declared analyzer Simon Abrams).

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“When you accomplish article like Assassin’s you’re aggravating to amuse many, abounding voices,” Kurzel tells me later. “I absolutely approved to do that, but in bamboozlement those altered choir you lose yourself. It was abundantly frustrating.” By the time Kurzel emerged from that experience, and angry his apperception afresh to Accurate History – his Snowtown collaborator, award-winning biographer Shaun Grant, was adapting the book for the awning – it was with an aching, atrocious home sickness. He capital to blur in Australia, assignment with Australians, and abduction the Australian landscape. He additionally bare to acquisition his articulation again.

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“You know, aback I came out of that accomplished acquaintance [with Assassin], I array of sat aback and went, ‘Who the f… are you? What accept you got? What do you like? What are you able to put on the line?’ It was affectionate of like a fever, like ‘Come on! Why did you alpha authoritative films in the aboriginal place? And why do you appetite to accomplish this film?’ ”

In his homesickness, he fell in adulation with Accurate History and “desperately” capital to chase it through. The director, who was built-in in Gawler, a babyish boondocks aloof alfresco Adelaide, additionally capital to be adventurous again, to booty risks: aloof like he did aback he active non-actors in Snowtown. He capital to “push and advance and advance ideas”. And one of his bravest annual was the advanced use of dresses – which, on this appointment to the film’s set, I’m still far from bright on. To assignment that out, I charge to apprehend Carey’s book.

Earl Cave, Louis Hewison and Sean Keenan are amid the stars of the latest Ned Kelly biopic. Credit:Courtesy of Stan

The aboriginal affair to say about Carey’s atypical is that it is not true. Aback it was appear in 2000, abounding absent the title’s hint: history is history; “true history” is subjective. Carey affected a sweetheart for Ned, and a daughter. He took the skeleton of absolute contest in Victoria’s Kelly Country in the backward 1800s and draped a dress of fiction over it.

In the book, Ned’s father, Red, owns a dress hemmed with roses. Aback Ned finds it, his abdomen knots, “a boss anger” comes aloft him. But afterwards he realises his ancestor was a affiliate of a accumulation of Irish amusing bandits alleged the Sons of Sieve, who donned frocks to wrong-foot the English and to accomplish them anticipate they were mad – the dress as war mask, essentially. While this absolutely was done in Ireland, the Sons of Sieve are addition of Carey’s concoctions. There is no affirmation that the Kelly Assemblage took to cutting frocks as a nod to Irish warrior ways. But here’s the twist: there are actual letters of the Kelly Assemblage as cross-dressers.

You don’t accept to attending far for the signposts. One of Sidney Nolan’s acclaimed Ned Kelly alternation is Steve Hart Dressed as a Girl (1947). In the painting, Hart, agitation a floral dress and airy boots, sits side-saddle, eyeing the eyewitness unflinchingly, a duke on his steed, addition cupping the reins. Nolan had read, and was aggressive by, J.J. Kenneally’s affecting 1929 book The Inner History of the Kelly Gang, which mentions that Hart “frequently rode about in feminine attire”. What to accomplish of this? Where’s an able in Australian 19th-century cross-dressing aback you charge one?

After a bit of digging about the history departments of several universities, I acquisition my expert. Her name is Lucy Chesser and her book, Parting with My Sex: Cross-Dressing, Inversion and Sexuality in Australian Cultural Life, is the absolute history of cross-dressing in colonial-era Australia. She’d searched for the aboriginal sources for Kenneally’s annual and couldn’t acquisition any. But, she tells me over the phone, the 1881 Royal Commission into the Victorian Badge did almanac one appear analysis of Ned Kelly in a dress. And one of the policemen, aggravating to alibi himself for battlefront on changeable hostages at Glenrowan, gave affirmation that he’d anticipation the bushrangers ability be dressed as women during the siege.

Since Chesser’s 2008 book, added affirmation has been unearthed, as Australia’s colonial-era newspapers are progressively digitised on Trove, the Civic Library of Australia’s online database. Writers Leo Kennedy – the great-grandson of Sergeant Michael Kennedy, whom Kelly murdered at the Stringybark Brook ambuscade – and Mic Looby dug up a alluring little asset in their Kelly book, Atramentous Snake, appear aftermost year. On January 4, 1879, Melbourne bi-weekly The Argus ran a allotment from the Victorian boondocks of Mansfield, while the assemblage was still at ample afterwards the Stringybark murders the antecedent October. “Two awkward-looking women accept been in Mansfield the accomplished two days,” the paper’s contributor wrote. “A admirer said he could about affirm that the appearance of one of the women were those of Steve Hart, one of the murderers. Afterwards in the day the declared Steve Hart was built-in in a side-saddle on horseback, arch addition horse …”

Chesser puts it like this: there is affirmation the Kelly Assemblage wore dresses, “but not a lot”, and if they did, it wasn’t abnormal for their time. Aback then, she says, the capital affecting ball was theatre. It was performed everywhere – tents, halls, homes – by abecedarian ancestors troupes or travelling theatre groups. “Men and women played genitalia of the adverse sex, so they would dress in anniversary other’s clothes,” she says. “There was a bleared bend amid what’s on date and what is not. And you can brainstorm how calmly somebody dressed up for a ancestors achievement could afresh adjudge to go on a little array about boondocks to see if anyone recognised them. It was added accustomed that you ability expect.”

And, of course, there may accept been that aspect of bent bristles with the Kellys. “I aloof anticipate Carey fabricated too abundant out of it, and it’s affectionate of absorbing for an admirers [that is] quick to see bodies in the accomplished as a bit boring,” she says. “There was a lot added rule-breaking in those canicule than we accord them acclaim for.” For Kurzel, Carey’s cross-dressing affair was “a huge allotment of what fabricated me abatement in adulation with the book”. And it gave the administrator an befalling to advance and crowd at what it is to be an Australian man.

Russell Crowe, who plays the arch old bushranger Harry Power.Credit:Courtesy of Stan

I’m sitting with the blur aggregation beneath a marquee. Anybody is watching babyish screens that acknowledge the activity as it is filmed about 20 metres from us, central one of Mintaro’s balk outbuildings. We accept headphones on to apprehend the dialogue. Kurzel agilely coaxes his adolescent Kelly Assemblage charges: “Then accept little cackle fits.” One of the assemblage repeats his band about a “massive erection” and it’s the array of accent that seems out of place. Added than a year later, aback I assuredly see the film, I realise it’s not. Accurate History, like Kurzel’s added films, has a able adult attitude active through it, and absolutely adult violence. There’s a lot of penis action, and absolutely a few penises not accepting a actual acceptable time.

In one of the aperture scenes, Davis’s Ellen Kelly fellates Sergeant O’Neill, played by Sons of Anarchy brilliant Charlie Hunnam. (Directing his wife in this arena was, Kurzel tells me later, a little confronting: “There was article actual odd about that, as the camera boring tracked in …”) In addition scene, a asleep bushranger is begin angry to a tree, his penis cut off and shoved into his mouth. In yet addition scene, Crowe’s appearance Harry Ability ties a braiding about O’Neill’s penis afterwards beginning in on him in bed with a woman. Ability afresh directs the adolescent Ned to shoot O’Neill’s penis off (he doesn’t, thankfully). To me, all of this seems over-the-top and gratuitous; afresh again, in the aboriginal few pages of Ned Kelly’s Jerilderie Letter, his 8000-word manifesto, he describes alignment a appropriate commitment to his neighbour McCormack: a agenda with a brace of calf’s testicles to – as the badge afterwards recorded – “better abandoned his wife”.

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For Kurzel, this is all an analysis of the categorical ancillary of Australian men, whom, he reckons, are acerb “alpha”. “The white Australian macho has a actual accurate masculinity, and the characters in the blur are consistently angry with what it is to be an Australian male,” he says. “And to alum Ned into acceptable a man, what does he accept to do? Shoot the erect off a cop.

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“I aloof bethink growing up with it all the time, actuality amidst by absolutely able Australian males and football teams. And you consistently catechism how you fit into that. And if you don’t fit, what abroad is there? Maybe that’s what I admired about the dresses, inverting that … It was like captivation a feel up to what an Australian macho is.”

But he additionally sees the dresses as abandon of expression, a nod to that raucous, humour-filled cultural abnormality of Australian men demography a abrupt aperture from the armour of their adulthood to don dresses for end-of-school celebrations or end-of-footy-season Mad Monday. “There’s article that absolutely intrigues me about Australian men: you accept that duality of the alpha macho and the feminine.” He was amazed, too, at how abundant his assemblage enjoyed cutting the frocks. “When they absolved around, it didn’t change their walk. The dresses were aloof addition affair they wore with their boots and they aloof got on a horse and started benumbed off.”

Earlier, in the accouterment tent, I’d talked to Sean Keenan, who plays Joe Byrne, about the dresses. “It’s aberrant aback you put on a dress, a long, flowing, delicate dress,” he says, laughing. “There’s a awe-inspiring activity of ability that comes from it.” Really? “Yeah, because as men we put on our boots, covering belts and hats, and there is armour in that. You are affectionate of putting on a face. And afresh to put on a dress and backpack it with aplomb and go, ‘I can abrasion this. It’s about how I approach myself through this.’ ” He stops and thinks. “It’s freeing. Absolutely freeing. And it’s additionally saying, ‘I don’t accord a f… what you anticipate about me. You can’t aching me with any of your annual about this actuality amiss because I accept endemic it.’ ”

Kurzel filmed in the Winton Wetlands and beyond abounding bounded Victorian locations, including to the arctic of Melbourne at Lake Mountain, Kallista and Marysville (in the snow) and at Clunes, in the state’s west. But at the Winton Wetlands, they were abysmal in Kelly Country, not far from the old Kelly home at Greta and additionally Glenrowan, breadth Ned and the assemblage wore, for the aboriginal and aftermost time, their affecting apparel of armour in a final action with police. There were pictures of Kelly everywhere, Kurzel says, in the hotel, the deli. “It was a affair esplanade of Ned.”

As Kurzel toured the area, he was addled by how we accept broadcast the Kelly charcoal far and wide: as if we can’t buck to accede him whole. His armour is captivated at Accompaniment Library Victoria, one afterlife affectation is at the Old Melbourne Gaol, addition is at the Civic Portrait Gallery (his skull is still missing). And aloof south of the wetlands, the Benalla Costume and Kelly Museum holds Kelly’s blood-soaked blooming sash, a present from the Shelton ancestors afterwards 10-year-old Ned adored their son from drowning in a creek. Kelly was cutting it beneath his armour aback he was captured by badge at Glenrowan, age-old 25. “We haven’t been able to actualize a amplitude breadth we feel adequate to be able to go, ‘Here’s Ned,’ ” he says. “It is all burst up in altered parts.”

It’s odd, because we assume blessed to accept Ned in the Sydney Olympics aperture commemoration or use his angel to advertise aggregate from watering accoutrements to certified-vegan bristles balm. About the wine arena abreast Winton, Kurzel alike spotted Ned on a artery assurance adopting a bottle of wine. “But we can’t absolutely assume to accept an intelligent, austere chat about his abode and his character in all of this,” says Kurzel. “We assume to accept this strange, awkward accord with him, and not an honest one.”

We can’t assume to accept an able chat about Kelly’s abode and identity … We assume to accept this strange, awkward accord with him, and not an honest one.

The director, who has spent a lot of time cerebration about why the Kelly fable stalks the civic anima like no other, makes the point that conceivably white Australians don’t appetite to attending accomplished him, to the denial of Indigenous Australians and their age-old administration of the land. “It’s consistently been absorbing to me why we get so afraid up about our history actuality this man and how we assignment so adamantine to ascertain it in this man, in a way that is favourable or not,” says Kurzel. “He was a 25-year-old guy. But what about the astonishing history that came afore settlement?”

These are acceptable points, but I’m not abiding Kurzel’s blur makes us catechism why we accept become a nation of Nedophiles. Ultimately, it’s a blur based on a book. And aback it comes to the catechism of Kelly as hero or villain – a agitation that raged alike aback he was animate – Carey’s book uses the hero template. Alone at the end of the book does Carey accept Thomas Curnow – the bedridden academy abecedary who, in absolute life, heroically alerted badge to Kelly’s artifice to derail their alternation – catechism the myth. “What is it about we Australians, eh?” Curnow asks. “What is amiss with us? Do we not accept a Jefferson? A Disraeli? Ability we not acquisition addition bigger to adore than a horse bandit and a murderer?”

Carey, who provided acknowledgment on the script, says he relied heavily on the books of Ian Jones, a TV biographer who, for decades, became one of the best agog promoters of the Kelly-as-great-man idea. Jones died aftermost year. Carey’s Kelly is ultimately a affectionate hero, a kid who – afterwards extenuative the drowning boy – could accept done anything, but was abject aback afresh and afresh to the bent means of his much-loved abandoned mother and continued clan. Eventually, goaded by the badge who hounded him, he succumbed to his fate like a spent swimmer in a rip. That’s the “true” history that abounding Australians believe.

Essie Davis, who plays ancestors dame Ellen Kelly, with adolescent Ned, played by Orlando Schwerdt. Credit:Courtesy of Stan

But Carey’s book was appear in 2000 and aback then, decidedly in the accomplished few years, the added ancillary of the Kelly adventure – a corrective, if you like – has bubbled up in a swag of books and bookish papers. Historians accept taken some of the aboriginal advertence actual and adapt the Kelly myth, analytic our basal truths. And the arising nuance, it turns out, is added absorbing than the old Kelly-as-hero trope.

By the time I’m accessible to watch Accurate History, I’m not activity decidedly acceptable about Ned Kelly. Aback I visited the blur set aftermost year I knew alone the ambiguous outlines of the Kelly legend: the acclaimed helmet; badge dying at Stringybark Creek. He was a array of Australian Robin Hood. Now, afterwards falling bottomward several aerial holes and annual the new evidence, I’ve appear to animosity Kelly.

It’s adamantine to attending accomplished the barbarous annihilation of badge and the advised plan to annihilate 23 bodies on a alternation in June 1880. His threats of “wholesale and retail slaughter” and drop “blood and accuracy like rain” would apparently acreage him on a agitator watch annual today. Indeed the Jerilderie Letter, while in genitalia alluringly accounting (or rather, dictated to Joe Byrne), has echoes of the self-centred, obsessive, rage-filled screeds acquaint online afore accumulation shooters leave their screens to annihilate innocent people. If he was animate today, one suspects Kelly ability accept been a adumbration Trumpian on Twitter.

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The contempo Kelly book Atramentous Snake acutely has a point of appearance – it believes Kelly is not aces of adoration – but it assuredly deconstructs the abstraction that the bushranger was some array of warrior adjoin the face class. Ned Kelly, Kennedy and Looby’s book credibility out, never followed through on the paperwork for his own allotment of acme land. He was added absorbed in earning a quid through cattle-rustling and horse-thieving. The book addendum Kelly’s “shocking upbringing” but its appraisal of the actual almanac finds Ned and his mob far from benevolent Robin Hood types. “They fabricated awkward animadversion to women to alert a reaction, and derided those added abject than themselves. They committed attacks on Chinese migrants and Indigenous Australians at their whim.”

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The book references a address in The Argus, about the time of the Stringybark Brook murders, of the assemblage cutting a “native bear” or koala. For me, this is the final straw. What array of above man shoots a koala?

Monash University accessory historian Stuart Dawson has additionally put a altered circuit on things. His contempo analysis redeems the abominable Constable Fitzpatrick – played in the blur with absurd allure by Nicholas Hoult – and demolishes Jones’ broadly accustomed approach that Kelly capital to authorize a republic in north-east Victoria. Yet addition Dawson cardboard lays out Kelly’s aftermost moments on the gallows, absolute his final words were not “Such is life”. The reporters at Kelly’s blind were out of aural and relied on officials, consistent in several versions. The best abundant bi-weekly annual appear him as saying, “Ah well, I suppose.” Addition appear the adduce as, “Ah well, I accept it has appear to this.” Alone one journalist, conceivably application some anapestic licence, appear the words as the added tattoo-able “Such is life”. (A babyish but alluring digression: in 2011, argumentative pathologist Roger Byard begin asleep men with “Such is life” tattoos were about eight times added acceptable to accept been murdered than corpses with no Kelly tattoos.)

I appear from this myth-busting aerial aperture and assuredly get to watch Accurate History. The film’s aboriginal half, in which the bunion-footed Harry Ability advisers Ned as a child, is the best able (one Canadian analyst declared 12-year-old abecedarian Orlando Schwerdt’s adolescent Ned as “one of the greatest adolescent performances projected on screen”). The additional bisected is like aback you appear in afterwards a big night and about-face on Rage to acquisition a cord of mind-bendingly admirable video clips. Aggregate is affably aphotic and brooding, if a bit stop-start and disconnected. But the film’s acute Glenrowan arena – with MacKay muscle-ripped and manic, like a bloodthirsty Iggy Pop – is a triumph. Kurzel gradually, over the film’s course, anchorage the attempt so you end up administration Kelly’s delirious and crazed claustrophobia as he aeon from the post-box aperture of his helmet. It was alone afterwards that I apparent Kurzel acquainted some alikeness with Kelly at Glenrowan: at this point in filming, he was in his own “fever dream”.

Justin Kurzel directs his wife Essie Davis, who plays Ellen Kelly. Credit:Courtesy of Stan

It’s a backward October day at Melbourne’s Docklands Studios, about a car esplanade abounding of astronomic filmmaking sheds. I chase Peppe, Kurzel’s assistant, up some stairs, accomplished the affiche about abode harassment. I’m to delay actuality for Kurzel in an about abandoned grey-toned appointment broadcast with bake-apple bowls, Coke cans and whiteboards. It’s 7pm.

Eventually Kurzel joins me, alone 10 account late. He seems the aforementioned as aback I aftermost interviewed him: kind, intense, a little rumpled. At one point in our account his buzz rings. “Sorry, it’s Essie.” (He lets it go through to voicemail, but is a little absent as it rings out. The brace accept been calm aback Kurzel was 21. He’s 45 now, she’s 49. They alive in Hobart. “I anticipate she’s amazing,” he told me in our aboriginal interview.)

In September, the blur had premiered at the Toronto International Blur Festival to abundantly acceptable reviews (in a red-carpet interview, Carey declared the blur as intelligent, adventuresome and brave: “I said to the producer: ‘I am not activity to like this film, I don’t accept to like it.’ And afresh we saw it … and my wife and I aloof admired it.”) But, to Kurzel, the premiere apparently seems a lifetime ago. Tomorrow, filming starts on his abutting big project: the aboriginal two episodes of Shantaram, the Apple TV alternation starring Charlie Hunnam and Richard Roxburgh based on Gregory David Roberts’ bestselling 2003 novel.

Going into the Shantaram shoot, he says he feels “unbelievably relaxed”. He didn’t feel like that with Accurate History, he adds. Authoritative all films, he says, is like actuality in a “fever dream”, but this was decidedly so with the Kelly blur because of his abounding acquaintance with Assassin’s Creed and the accident of his faculty of self. “I acquainted there was like an adrenalin in me. I’m not adage I haven’t got adrenalin now, activity into this shoot, but it’s aloof that I’m at accord with accepting got all the artistic annoyance out.

“I feel that in [directing the] film, there was a bit of Ned in me, you know, as we got appear Glenrowan. There was a little bit of me continuing abutting to George … about to put my armour on as well.” He’s amusement now, able to booty the piss, but the accomplished affair sounds intense.

And who, I ask, are the badge in this metaphor? Who is the enemy? “Probably me,” he says, and we laugh. The adversary is so generally within.

True History of the Kelly Assemblage will awning at called cinemas nationally from January 9, and on Stan from Australia Day.

To apprehend added from Acceptable Weekend magazine, appointment our folio at The Sydney Morning Herald, The Age and Brisbane Times.

​Melissa Fyfe is an award-winning biographer with Acceptable Weekend magazine.

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